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Raven Daegmorgan
31 May 2009 @ 08:48 pm

Yes, I know, I'm no famous writer. If you don't know me personally, you've never heard my name. I don't have any awards on my shelf. You can't find my name in publications you've probably read.

Even having had some small glory as a writer on occasion -- if we're equating glory with paycheck size or client prestige -- and generally knowing what the hell I'm talking about when it comes to the craft, I am struggling through the same pitfalls and issues many other struggling writers are. This, I think, is why I feel qualified in some sense to occasionally give writing advice.

There are authors I know personally who have enough of a name they get invited to talk at cons and people ask them for their autograph, and among whom I am naught even a speck upon a speck, whom I think I can offer this advice to as well.

...the internet is loud.... )

 
 
Current Mood: relaxed
 
 
Raven Daegmorgan
06 November 2008 @ 06:32 pm

Whenever I lose focus or need details, a new direction, or a better grasp of what I'm working on, I either head on over to deviantArt and start browsing, or I fire up Explorer and run through the cache of images I've saved to my hard drive, waiting for something to pop out or just gel together.

That's what I had to do with the current NaNo short story earlier today. I knew the protagonist was going to be facing some kind of mutant beast and I even knew the nature of the creature, but I didn't know what the thing looked like, or how it was doing what it was doing. Just like my protagonist.

Yet I knew how everything was supposed to come together and what was going to happen to the protagonist, so this was a small--but rather important--detail, at least from the perspective of "the plot" (ie: what happens). So I fired up dA and I watched a slideshow of my image cache while browsing. And *BAM* Inspiration. A-HA! That's what it is, and that's how it's doing what it's doing!

It all fell into place with evil glee on my part. I realize I will need to make a minor change to the wording/events earlier in the story, but it will make the story stronger.

Other times, I will take a break for a while and go do laundry, dishes, or otherwise clean the house, run to the bank, or just go find a movie to watch. The important thing is that I'm not thinking about the writing or the problem, at least not very seriously--I'm taking a break!--and then things start flowing, with ideas that wouldn't gel or emerge while sitting in front of the screen coming to light.

This is all part of writing. In fact, I find the actual act of writing is the easiest part of writing. Figuring out what to write and making it interesting is the hard part. Dreaming and daydreaming, shaping the story in the mind, crafting the world and making it breathe, before pen ever reaches paper. That's the real work, for me.

 
 
Raven Daegmorgan
14 June 2008 @ 05:11 pm

UPDATE: I cleaned this up a little (I hope) so it isn't so jumpy/disconnected after the mid-point. Also, some of this is follow-up reaction to a statement by Keene in the comments that he later deleted (see following entry), so it may seem baseless or overwrought given what is stated at the link now.

No, this isn't one of those awesomely dreadful grade school films we all watched in the 80's, though it totally could be. I was going to title it "Why Writers Are Not Statisticians" but that wasn't as fun. This is about a recent bit of method criticism that popped up on a blog I don't know when or why I started reading -- Robert may have had something to do with it -- but which set off my logic and tweaked my arrogance alarms.

Over on his writing blog, Brian Keene suggests full-time writers who can't put out as much work as he can -- something like 3500 words a day -- are lazy whiners and cry-babies who are just not making the most of their time. Because, mathematically, if you can write 500 words an hour, then you can write 3500 words in a full work day of seven hours (with an hour for lunch).

You heard correctly: there is absolutely no good reason if you're writing full-time that you can't write three or four 90k-word books a year (only taking a break for personal emergencies or vacations and such). Therefore, any writer complaining about the stress of trying to put out just one 90k-word novel in a year is a lazy whiner who probably spends their work-day playing the latest Flash-game craze from Slashdot.

Keene's math isn't wrong, but his conclusion is.

...of monkeys and man hours... )

 
 
Raven Daegmorgan
26 April 2008 @ 02:22 pm

Friends with eyes on self-publishing fiction, let me explain how NOT to do it.

I know, I'm not a published fiction writer...at least I don't think I am. 'Raven,' you might say, 'how can you not know if you are? Isn't that something someone would remember?' And I might say in response, 'Yes. Very true. But I have four children.' And you would say 'Ah, I see.' So I might have actually published something somewhere when I was younger before my children had destroyed the last of my ability to memorize information, but I don't remember. It's possible, but as far as I know I am not a published fiction writer in any traditional sense.

So why listen to me?

Because I am a published writer in the traditional sense.

This means other people have taken crap I've written and said, "Hey, can I repeat that over here, possibly for money (but mainly for name-credit)?" And I've said "Yes. Sure. Hell yes! Thanks!" And been pleasantly aghast that my verbal meanderings were worth someone else's time and printing costs. Occasionally, I have also been surprised that people have asked "More?" and very occasionally, "More, please?" And sometimes even thrown not entirely insignificant sums of money at me for doing so (though this happens far too rarely).

I've also edited my fair share of things. Usually for people seeking higher grades, a few times for friends seeking publication, and sometimes for things about which large, international companies have said, "This is OK. It must now become Good because many thousands of people will see it. Will you make it Good?" Sometimes followed by "And here is money." To which I reply, "Holy Jesus! Money!"

For nearly a decade, I have also been involved with the highly successful modern independent publishing movement in tabletop gaming, which has taught me more than a few things that are pertinent to self-publishing in fiction.

So I know what I'm talking about when I say: friends with eyes on self-publishing fiction, let me explain how NOT to do it:

Don't do it like The Saga of Sissarak series.[1]



[1] Note that names have been changed to protect the innocent. And me. From lawyers. (But mostly from e-mails sent by angry amateur vanity-press writers who didn't ask for my advice in the first place and are now very embarrassed that I have pointed out their errors in public.)

 
 
Raven Daegmorgan
27 October 2006 @ 09:25 pm
ADDENDUM: The length without an lj-cut was impolite of me. I knew that earlier, and meant to fix it...well, a hideous long time before this. Many apologies.

While writing the other piece from tonight, I stumbled across RPGPundit's blog. Now, I've never been there before, and I proceeded to read entries. I was entranced, in a disturbing sort of way. Sometimes, I thought it almost sounded sane, and then we'd plunge right back into some vicious, off-the-deep-end territory, like a roller-coaster gone mad.

The whole thing oozed of hatred and...not even criticism, but childish bullying. It was full of name-calling, character assassination, and open demeaning contempt alongside a healthy dose of smug superiority.

...trying to describe it... )

I finally closed out the site with a bit of a sick-tremor, and thought about everything I had just read, page-after-page-after-page of the same vicious name-calling and sneering contempt. And then I thought: now, there's a guy who is addicted to self-righteous anger.

I realized that topic was just discussed this morning, so I did some research on the topic, and my own reactions to the site, and dug up some interesting links.

It was easy to see why I was entranced at first, why I kept reading page-after-page. It's easy to see why people get sucked into reading and even posting at such sites, why they behave this way, as either defenders of the verbally assaulted or as unapologetic attackers, and why the owners of sites like this seem to get such a kick out of slinging insults and cruel caricatures.

...links and references... )So, hate-rhetoric builds up a self-view as a righteous hero, which covers up the reality of the socially broken and irrational behaviors engaged in while angry, made self-sustaining through the judgmental feelings engendered by anger -- the inability to do wrong, the feeling of superiority and correctness -- which blind you to the negatives and faults of those very behaviors and make you look for the high it provides.

And that sort of behavior is even emotionally addictive just to watch (and just as emotionally damaging); all despite the best of intentions in your participation or choice of that behavior, as aggravator or respondent.

...anger and I... )

I'm staying far away from this stuff, because like any hate-rhetoric site, it is dangerous holistically -- to mind, body and spirit -- and impossible to reason with. I'm hoping that in a few weeks I can put the whole experience behind me.

Tags: ,
 
 
Raven Daegmorgan
17 May 2006 @ 10:19 pm
Dear Friend,

There comes a time when you have to realize arguing with the raving homeless man at the corner carrying the sign is doing neither you nor the raving homeless man any good. You must also remember that sometimes the crazy homeless man wears a suit and tie, and he often posts on the internet, but he is still very easy to spot because of his sign. Regardless, this does not change the advice.

Yours,

Rev. Raven
 
 
Current Mood: contemplative
 
 
 
 

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